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Bodyspace/bodyscape
Bodyspace/bodyscape
Edinburgh, United Kingdom
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Bodyspace/bodyscape
Edinburgh, United Kingdom
Bodyspace/bodyscape performs the transformation that is frozen in time. The
manipulation of lines disintegrates the rigor of squares and straight angles,
the structure folds, collapses, reconstructs and extends its motion into space.
When the action comes to a halt, the movement continues visually.
The study results in a series of
undulating solid squares resembling the body landscape. Each of them is a
fragment of the body mosaic, and the wiry structure is situated on the tilted
fields, grows out of the folded planes, or sometimes converses and dialogues
with the unaligned surfaces. The objects can be made small, or large, depending
on the number of units; the modular nature of the patterned units allow pieces
to oscillate in scale effortlessly, and also various forms and shapes for
whichever part of the body. The action in which the movement occurs is
presumptuous and temporal, but the effect is long lasting. Similar to Luminous Windows, the materiality and
colors dominate the research and practice in the final stage. However, the
colors and textures not only provided a different ambiance, they show the
versatility and adaptability. In one of the earrings, the oxidized silver
provides a darker background to support and contrast the white structure, of
which some of the lines and corners are highlighted with fluorescent pink
color. The piece instantly possesses an animated quality, and a very dynamic
and hierarchical transition from the body surface to the tip of the angle
reaching out to infinity.
manipulation of lines disintegrates the rigor of squares and straight angles,
the structure folds, collapses, reconstructs and extends its motion into space.
When the action comes to a halt, the movement continues visually.
The study results in a series of
undulating solid squares resembling the body landscape. Each of them is a
fragment of the body mosaic, and the wiry structure is situated on the tilted
fields, grows out of the folded planes, or sometimes converses and dialogues
with the unaligned surfaces. The objects can be made small, or large, depending
on the number of units; the modular nature of the patterned units allow pieces
to oscillate in scale effortlessly, and also various forms and shapes for
whichever part of the body. The action in which the movement occurs is
presumptuous and temporal, but the effect is long lasting. Similar to Luminous Windows, the materiality and
colors dominate the research and practice in the final stage. However, the
colors and textures not only provided a different ambiance, they show the
versatility and adaptability. In one of the earrings, the oxidized silver
provides a darker background to support and contrast the white structure, of
which some of the lines and corners are highlighted with fluorescent pink
color. The piece instantly possesses an animated quality, and a very dynamic
and hierarchical transition from the body surface to the tip of the angle
reaching out to infinity.
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