1-The Story of Paytakht:
From certain periods in the history of Iran's cities, the effect of modernism on city spaces can be seen.
The importance of this issue can be brought up when these public spaces withstand change in surface,
scale and performance. As the capital city of Iran, Tehran has been the showcase of changes and the
symbol of a modern city and is exposed to accelerated changes more than any other time.
As one of the many types of public city spaces, commercial spaces have conquested Tehran and
overtaken other applications. The method of the formation of these spaces have taken a special shape
to themselves due to factors like limited space and high land prices. This project made a possible
practice for us to renovate a commercial block in Paytakht computer complex. A practice for the
attraction of more customers, optimization of performance in a limited land and introduction of the
application before the entrance of the customer.
2- 50Β±9 (π
π
):
Increasing the quality of a limited commercial block space, with the motivation of taking the most
benefit of the space available for more function and also being separated from commercial complex
duplicated modules turned into the main issue of this project.
Our effort in this project is for changing the perspective from surface to volume, placing the available
space for renewed review and using the hidden capacities to perceive a new space from the available
space.
Inside a space that had a volume of 50 π
was
anticipated which although decreased the available space, gave an additional possibility for work and it
seemed as if we added 9 π
3
2
and an area of 13 π
, a suspended space of 9 π
3
space.
The 50Β±9 project is rereading a common commercial diagram; the coexistence of the service provider
space and the client space, which have a counter joint as a border.
50Β±9 was our response for store, service applications with a taste of digital products.
50Β±9 is the opening of one space which is itself inside another space; this new space is limited with a
framework of a box and makes work and activity possible inside the available space.
With the reconstruction of the form of the box, 50Β±9 endeavours that the digital adventures of the
audience can be revived and we hope to use it to serve the main needs of the store.
From outside, 50Β±9 is an empty space which includes a lighting hanging cube inside it and this is the first
motive for the attraction of the audience.
3- Defining Boundaries:
The work and construction method becomes balanced with respect to a serial of decisions. The relation
between high repairs and low sales turns to the dynamic and constant body that creates the fluid space.
Both at the time where the box becomes the host of customers due to its suspended nature and also at
the time it provides access to the highest points of the shelf of goods.
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to our available space and created a 50Β±9 π
3