Powerful Architecture: 7 Contemporary Power Plants

Eric Baldwin Eric Baldwin

Industrial, massive, and, at times, beautiful: power plants are a unique architecture typology, usually utilitarian or value-engineered spaces that rarely incorporate public space. That’s beginning to change with more and more architects exploring the spatial, formal, and civic possibilities of these projects. As technology has advanced, so, too, have power facilities; whereas previous equipment was large, bulky, or awkward in size, new advances allow smaller, more streamlined equipment to emerge. As our infrastructure evolves, so, too, has our architecture with new, reimagined relationships to these systems.

As architects are beginning to embrace the challenges and opportunities presented by infrastructure projects, power plants are adopting many of the innovations in design in general: green roofs, curvilinear concrete, and even a façade comprised of hanging tree trunks! The following are a collection of contemporary power plants and designs that are changing the way we think about power across a variety of diverse sites and scales. Whether they’re underground, atop a hill, or in a river, each design shows an optimistic, systems-oriented architecture connecting people to new ideas on power and place. Whoever said power plants have to be dull?

© Tim Van de Velde Photography

© Tim Van de Velde Photography

© Tim Van de Velde Photography

© Tim Van de Velde Photography

Incineration Line, Roskilde by Erick van Egeraat, Roskilde, Denmark

A new incineration line in Roskilde, this plant was designed as a new, iconic expression for a local company. At ground level, the building reflects the angular roofs of its setting. The unmistakable façade design features a perforated, laser-cut aluminum façade that allows backlighting at night, transforming the incinerator into a glowing beacon.

Hydroelectric Power Station by Becker Architekten, Kempten, Germany

This hydroelectric power station was designed on the banks of the Iller River. Designed as a symbolic representation of water dynamics, the curving forms resemble the churning and pitching of the water through the plant before returning to a calm state as well as the nearby river-washed rock formations. The station includes the machine room, turbines, generators, and a retention bar weir.

© C.F. Møller Architects

© C.F. Møller Architects

© C.F. Møller Architects

© C.F. Møller Architects

Gas Insulated Switchgear Station by C.F. Møller Architects, Vejen, Denmark

This GIS station was designed to have a distinct architectonic profile while maximizing future flexibility. The enclosure was created as a series of modules that forms a gill-like envelope around the building. This envelope allows daylight into the interior while allowing views into the GIS station and its inner mechanics.

© monovolume architecture + design

© monovolume architecture + design

© monovolume architecture + design

© monovolume architecture + design

Hydroelectric Power Station Punibach by monovolume architecture + design, Bolzano, Italy

This hydroelectric power station was conceived as a fracture in the landscape. The crack in the landscape reveals the interior machines transforming natural power into energy. The design includes a green roof on top of the station as it integrates with the surrounding landscape.

© Matteo Thun & Partners

© Matteo Thun & Partners

© Matteo Thun & Partners

© Matteo Thun & Partners

Biomass Power Plant by Matteo Thun and Partners, Tübingen, Germany

Designed as two structures, the Biomass Power Plant includes a long shed and a glass cube. Materials move along a slow-moving underground track between the two structures. The top half of the glass cube is screened by intersecting larch posts, which helps to soften the glass’s reflection and glare.

© Gottlieb Paludan Architects

© Gottlieb Paludan Architects

© Gottlieb Paludan Architects

© Gottlieb Paludan Architects

BIO4 Power Plant by Gottlieb Paludan Architects, Copenhagen, Denmark

The BIO4 Power Plant is a speculative design and winner of the competition to design a new biomass unit on the Amagerværket power plant. It was conceived as a story about a forest and the transition to sustainable energy. Hanging tree trunks make up the façade, creating a surprising spatial experience and aesthetic both up close and at a distance.

© C.F. Møller Architects

© C.F. Møller Architects

© C.F. Møller Architects

© C.F. Møller Architects

Gas Compressor Station by C.F. Møller Architects, Egtved, Denmark

This compressor station is the first of its kind in Denmark. It was designed as an architectural feature in an open landscape with a formal language that optimizes safety conditions in the plant. Steel-clad volumes rest atop concrete structures with a continuous grass surface, while the station also provides visual, aural, and safety screening the from compression units.

Bonus: Power Plant transforms into a Ballet!

Todd Bolender Center for Dance and Creativity by BNIM, Kansas City, Mo.

So, what happens after a power plant decays and no longer operates? BNIM out of Kansas City took on this challenge in the preservation and adaptive reuse of the former Power House at Union Station. Today, the facility houses the Kansas City Ballet with six studios, a performance theater, offices, wardrobe, costume, and production areas.

See also: Pumphouse Point.

Eric Baldwin Author: Eric Baldwin
Based in New York City, Eric was trained in both architecture and communications. As Director of Communications at Sasaki, he has a background spanning media, academia, and practice. He's deeply committed to trying as many restaurants as possible in NYC.
Read more articles by Eric

ECO NURSERY / PRIMARY SCHOOL // JFS architectes, Jean François Schmit

Paris, France

London Goes Big While NYC Goes Small: Your Midweek Must-Reads

L: 22 Bishopsgate within the new London skyline, via theGuardian; R: Cardiff Interchange byFoster + Partners. Glass Goliath: A new tower at 22 Bishopsgate is set to dwarf London’s eclectic array of existing skyscrapers, the Guardian reports. Oliver Wainwright writes that the broad-footed high-rise “will be inescapable from every angle, an urban cliff face that…

+