I started to work
with Plattenbau in 1992 for several years as
artist, as architect and designer and the theme became a recurrent element in
my work; some of my spatial compositions and installations are all constituted
by elements of serial architecture. I use documents of a disappearing architecture and arrange them as serial
installations or as virtual environments. The multiplication and re-arrangement
of the serial architectural elements lead to a play with unexpected and
controversial spatial effects and irritating perspectives. This Installation took place in a gallery where I created a virtual architecture of the exhibition
space and the exhibition was shown as a simulation.