The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.
When we talk of futurism, we broadly refer to that which anticipates the future. Through this lens, we glimpse otherworldly landscapes and technologies, bold predictions of what is to come. But such a grand vision can often feel disconnected from the present and the historic past.
The French philosopher Simone Weil said: “The future is made of the same stuff as the present,” a sentiment echoed in the stand-out work of MAD Architects. Founded in 2004 by Ma Yansong and headquartered in Beijing, their architectural approach is forward-looking and adventurous yet tempered by context. Their unique interpretation of futurism orients the spaces they build towards nature and community — they masterfully elevate the symbiosis between spatial user, shelter and the environment.
From residential towers and resorts to museums, cultural centers, kindergartens and stadiums, their international portfolio has garnered worldwide acclaim over the years, including a number of A+Awards. Working across a plethora of typologies, MAD Architects’ diverse projects are united by their special brand of alchemy, fusing localism and futurism to leave an extraordinary mark on the built landscape.
Absolute Towers, Mississauga, Canada
Their spiraling, fluid forms are more than just an architectural statement amid the busy skyline. Rather, in a rebuttal of conventional high-rise typologies, the design is intended to elicit an emotional connection between residents and their city. Each level of the building rotates by differing degrees, framing snapshots of the built and organic landscapes. Consequently, each unit benefits from 360-degree views that draw the wider environment closer to home.
Harbin Opera House, Harbin, China
Popular Winner, 4th Annual A+Awards, Architecture +Wood
Combining their signature futuristic eye with the spirit of the surrounding ecology and climate, the firm delivered an undulating, curvilinear structure that feels as though it was shaped by the natural elements. The sweeping, white aluminum panels and crystalline skin evoke the vortexes of a snowstorm, frozen in motion. Inside, the lobby is a theatrical stage in its own right. Beneath the glazed, diagrid roof, wood planes ebb and flow, as though gently eroded by the comings and goings of visitors. It may be a new addition, but this modern masterpiece has masterfully ingrained itself within the historic topography.
Chaoyang Park Plaza, Beijing, China
Jury Winner, 6th Annual A+Awards, Mixed Use
The low-rise buildings’ rippling, irregular silhouettes appear organic in form, like rocks weathered by the park’s lake over millennia. The void between the towers hosts an urban garden punctuated by ponds, rocks, pine trees and bamboo, a pocket of tranquility amongst the hubbub of Beijing. Unity is established between the two asymmetric structures at their base, where a glass atrium creates a ground-level bridge of sorts, flooded with daylight and glimpses of the natural terrain. The glazed roof rises and falls in folds, inviting workers to look up and experience the organic world beyond the porous structure.
Hutong Bubble 218, Beijing, China
Conceived as several bubbles, the futuristic extensions appear as though they’ve landed on the rooftop from a different planet. However, their mirrored surfaces soften into the site, reflecting the surrounding buildings and trees. The material contrast is respectfully stark; neither iteration of the residence is forced to conform to the other. Instead, they coexist in comfortable communion. It’s a compelling example of how small-scale architectural interventions can breathe new life into period structures.
Courtyard Kindergarten, Beijing, China
Popular Winner, 8th Annual A+Awards, Kindergartens
One of the project’s most dynamic elements sits above the kindergarten, barely perceptible from street level. A floating roof frames the courtyard, transforming the vacant space between the buildings into a whimsical terrain of play and discovery. This new layer of the block’s architectural narrative hovers above the old, harmoniously coexisting without intruding on its predecessor.
Quzhou Stadium, Quzhou, China
Jury Winner, 10th Annual A+Awards, Stadium & Arena
Quzhou is a city innately intertwined with the organic ecosystem — woodland covers over 70% of its land area. MAD Architects honors the native topography with their subterranean design, while also seeking to level the hierarchy commonly embodied by the sports arena typology. Rather than a monument to elitism, the park is a democratic plain, where professional athletes exercise alongside the city’s residents.
Harbin Airport T3, Harbin, China
MAD Architects has visualized the new Terminal 3 building as a snowflake settled on the tarmac, in homage to Harbin’s icy climes. Surreal and innovative in composition, yet rooted in its location, the branches of the snowflake will house departure corridors designed to ease congestion. Ridges across the terminal’s roof, modeled after the ripples left by snowdrifts, reveal skylights that will bathe the interior in natural light. These meandering lines will also act as a road map of sorts, guiding weary travelers on their way through the concourse.
The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.