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Sikena Bread
Sikena Bread
Wuxi, China
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Sikena Bread
Wuxi, China
Type
STATUS
Built
YEAR
2024
SIZE
1000 sqft - 3000 sqft
The color scheme and atmosphere of Sikena Bread's space draw inspiration from Monet's "Impression, Sunrise". The warm orange of the sun in the painting highlights the work area and the bread display area, while the blue of the sea and sky emphasizes the independence of the indoor guest area.
When this warm and cool color combination is ingeniously superimposed with the natural scenery, the boundary between art and life is broken. The Impressionist gradation of light and shadow makes the bakery hazy and healing. Every time you enter the store, you are deeply connected with the aesthetics of nature.
Based on the characteristics of the building's sloping surface, a guest area is set up outdoors. First, use simple lines to outline the land occupation of the planting area and demarcate the boundaries between the indoor and outdoor guest areas and the street. Lay the original wood-colored floor to create a warm atmosphere for the dining scene and deepen customers' multi-dimensional impression of the bread. Sunlight filters through the green leaves and spills onto the table. The rich aroma of bread spreads with the wind, harmonizing with the tranquility of the sunrise.
Continuing the inclined momentum of the spatial structure, a slanted bread display cabinet is constructed to create an open and inclusive entrance image. The glass interface, in combination with warm light, directly presents the texture and color of the bread before the customer's eyes, guiding the line of sight and concentration to flow naturally along with the inclined structure, making the purchasing process an immersive visual journey.
The English recognition system selects minimalist fonts to decorate the storefront, paired with a warm light base, revealing a gentle sense of story. The half-height bread display cabinet creates an open and breathing context. The "Natural Health Share" on the wall forms a closed loop of concepts corresponding to physical objects with the main products, conveying a sincere attitude and the joy of sharing.
Through clear division techniques, the front and back fields form their own internal order and guide out the primary and secondary movement lines, achieving efficient diversion. From the selection of bread to the payment and settlement, and then to the natural transition in the guest area, the set design logic is closely linked, making the "dedication" visible and tangible, thus earning a long-lasting reputation.
Inspired by the architectural outline, a triangular shape is used to create the "memory point" on the top surface of the public area, engaging in a distinct yet harmonious geometric dialogue with the arc-shaped ground. The transparent blue acrylic, always echoing the color tension of Impressionism, can also define functional areas with its shaping ability, expressing the interest of integrating practicality and aesthetics.
Insert the mirror material into the top surface of the public area, extending the geometric form and environmental details upwards infinitely, instantly magnifying the depth of the space. The interplay of light and shadow between the mirror and the space creates multiple reflections, making the guest area "float". The greenery outside the window breaks in through the glass and is reflected in the mirror, sharing the vitality with the blue and orange tones inside.
At this point, the real scene is no longer "real", because this mirror universe is not a simple spatial replication, but a purification, a freehand expression, and a reconstruction of the aroma of wheat, art, nature and emotions. The five senses blur many boundaries and also build a series of Bridges. In such an environment, people will naturally become more immersed and happier.
When this warm and cool color combination is ingeniously superimposed with the natural scenery, the boundary between art and life is broken. The Impressionist gradation of light and shadow makes the bakery hazy and healing. Every time you enter the store, you are deeply connected with the aesthetics of nature.
Based on the characteristics of the building's sloping surface, a guest area is set up outdoors. First, use simple lines to outline the land occupation of the planting area and demarcate the boundaries between the indoor and outdoor guest areas and the street. Lay the original wood-colored floor to create a warm atmosphere for the dining scene and deepen customers' multi-dimensional impression of the bread. Sunlight filters through the green leaves and spills onto the table. The rich aroma of bread spreads with the wind, harmonizing with the tranquility of the sunrise.
Continuing the inclined momentum of the spatial structure, a slanted bread display cabinet is constructed to create an open and inclusive entrance image. The glass interface, in combination with warm light, directly presents the texture and color of the bread before the customer's eyes, guiding the line of sight and concentration to flow naturally along with the inclined structure, making the purchasing process an immersive visual journey.
The English recognition system selects minimalist fonts to decorate the storefront, paired with a warm light base, revealing a gentle sense of story. The half-height bread display cabinet creates an open and breathing context. The "Natural Health Share" on the wall forms a closed loop of concepts corresponding to physical objects with the main products, conveying a sincere attitude and the joy of sharing.
Through clear division techniques, the front and back fields form their own internal order and guide out the primary and secondary movement lines, achieving efficient diversion. From the selection of bread to the payment and settlement, and then to the natural transition in the guest area, the set design logic is closely linked, making the "dedication" visible and tangible, thus earning a long-lasting reputation.
Inspired by the architectural outline, a triangular shape is used to create the "memory point" on the top surface of the public area, engaging in a distinct yet harmonious geometric dialogue with the arc-shaped ground. The transparent blue acrylic, always echoing the color tension of Impressionism, can also define functional areas with its shaping ability, expressing the interest of integrating practicality and aesthetics.
Insert the mirror material into the top surface of the public area, extending the geometric form and environmental details upwards infinitely, instantly magnifying the depth of the space. The interplay of light and shadow between the mirror and the space creates multiple reflections, making the guest area "float". The greenery outside the window breaks in through the glass and is reflected in the mirror, sharing the vitality with the blue and orange tones inside.
At this point, the real scene is no longer "real", because this mirror universe is not a simple spatial replication, but a purification, a freehand expression, and a reconstruction of the aroma of wheat, art, nature and emotions. The five senses blur many boundaries and also build a series of Bridges. In such an environment, people will naturally become more immersed and happier.
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