{"id":21385,"date":"2017-07-06T14:30:00","date_gmt":"2017-07-06T14:30:00","guid":{"rendered":"http:\/\/architizer.wpengine.com\/chicago-architecture-biennials-local-participants\/"},"modified":"2022-05-31T06:45:45","modified_gmt":"2022-05-31T10:45:45","slug":"chicago-architecture-biennials-local-participants","status":"publish","type":"post","link":"https:\/\/architizer.com\/blog\/inspiration\/industry\/chicago-architecture-biennials-local-participants\/","title":{"rendered":"Explore the Second City\u2019s Underrated Spaces With the Chicago Architecture Biennial\u2019s Local Participants"},"content":{"rendered":"<\/p>\n

This article originally appeared on the Chicago Architecture Biennial blog<\/a>, which is edited in partnership with CONSORTIA<\/a>. the biennial is the largest platform for contemporary architectural projects and innovation in north america. the 2017 biennial, entitled \u201cmake new history,\u201d will be free and open to the public between september 16, 2017, and january 6, 2018.<\/h4>\n

Chicago is the undisputed hometown of modern architecture. It\u2019s the city where the world\u2019s first skyscrapers rose, where Frank Lloyd Wright came to prominence and where Mies van der Rohe built most of his iconic postwar buildings.<\/p>\n

Today, visitors flock to Chicago\u2019s many architectural landmarks. They ride Chicago Architecture Foundation\u2019s educational boat tours<\/a>, which drift past the row of iconic buildings lined up along the river: the Chicago Tribune Tower, the Wrigley Building, the Merchandise Mart, Marina City; the list goes on and on.<\/p>\n

But for every modern masterpiece, Chicago has another piece of great architecture that remains relatively obscure. The city offers an abundance of interesting buildings and spaces that reward anyone curious enough to look closely. We asked a group of Chicago Architecture Biennial participants to pick their favorites and compiled their answers into this guide to Chicago\u2019s lesser-known architectural gems.<\/p>\n

If you\u2019re coming to town for the Chicago Architecture Biennial, these spaces are guaranteed to draw you off the beaten path.<\/p>\n

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Palmisano Park, by D.I.R.T. Studio and Site Design Group<\/i><\/p>\n

1. Palmisano Park (formerly known as Stearn\u2019s Quarry) by D.I.R.T. Studio and Site Design Group<\/h2>\n

Recommended by UrbanLab<\/h3>\n

UrbanLab<\/a> is a Chicago-based architecture and urban design studio focused on creating environmentally resilient buildings and public spaces that passively regenerate natural resources. Principals Martin Felsen and Sarah Dunn are deeply interested in how design can transform the way cities function as hybrid natural and artificial landscapes.<\/p>\n

Felsen and Dunn are especially fond of Palmisano Park, a parcel of land in Chicago\u2019s Bridgeport neighborhood that was originally home to a 380-foot-deep limestone quarry and then became a landfill in the 1970s. Landscape architects D.I.R.T. Studio and Site Design Group eventually turned the area into a park that slopes gently up from the quarry and into a bermed hill. Visitors can follow paths around the park as the landscape changes from grass to wet prairie to a marshy pond.<\/p>\n

\u201cWhat we like about the project is that D.I.R.T. Studio proposed to take a postindustrial wasteland \u2014 a landfill \u2014 and add a public space on top of it in the form of a park,\u201d said Dunn.<\/p>\n

\u201cThe two programs co-exist together in section. The project has special significance for us because in our own practice, we are interested in hybridizing infrastructure, architecture and landscape.\u201d<\/p>\n

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Winter Garden at Harold Washington Library; photo courtesy Chris Smith<\/a><\/i><\/p>\n

2. The Winter Garden at Harold Washington Library <\/h2>\n

Recommended by Design With Company<\/h3>\n

Design With Company<\/a> is the two-person studio of Stewart Hicks and Alison Newmeyer, which deals primarily with what they call \u201cfabulous architecture\u201d: drawings, objects and spaces that interpret reality through narrative or tell an alternative story about the way the world could work in the future.<\/p>\n

Hicks and Newmeyer like to think of their creations as literary characters, so it\u2019s no surprise they have a soft spot for one of the city\u2019s most audacious pieces of postmodern architecture: the Harold Washington Library.<\/p>\n

The library is something of an acquired taste. The architects know that the building\u2019s massive scale, liberal ornamentation and fortress-like fa\u00e7ades are enough to turn off plenty of Chicagoans.<\/p>\n

\u201cThe Harold Washington Library is a controversial building in Chicago. The first floor presents a heavy base toward the public street,\u201d said Hicks and Newmeyer.<\/p>\n

But tucked away inside the heavyset public building is a top-floor atrium that feels light as air thanks to an enormous skylight.<\/p>\n

\u201cAlthough the building lacks a generous public face on the street level, it gives it back on the top floor with the roof garden, which turns the city inside out by offering an interior streetscape,\u201d said the architects. \u201cThe space is great for reading or hanging out year round.\u201d<\/p>\n

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The Behavioral Sciences Building at University of Illinois at Chicago<\/i><\/p>\n

<\/i>3. University of Illinois at Chicago<\/h2>\n

Recommended by Design With Company<\/h3>\n

As faculty members at the University of Illinois at Chicago, Hicks and Newmeyer are also representing their architecturally significant home campus whose core was master-planned<\/a> by the modernist architect Walter Netsch.<\/p>\n

Netsch was a partner at Skidmore, Owings and Merrill who was known for modern academic architecture, including the U.S. Air Force Academy in Colorado Springs and the University of Chicago\u2019s decidedly brutal Regenstein Library. Although much of his original \u201cCircle Campus\u201d has been demolished to make way for contemporary additions, some of Netsch\u2019s most distinctive buildings are still in use today.<\/p>\n

\u201cThe campus of the University of Illinois at Chicago is a large-scale urban experiment,\u201d said Hicks and Newmeyer. \u201cWalter Netsch designed the campus in the 1960s as a demonstration of his \u2018field theory\u2019 of overlapping squares. Despite Netsch\u2019s all-encompassing grand vision, the campus has been changing, growing and transforming, ever since leaving strange and delightful residues along the way.\u201d<\/p>\n

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The Anti-Cruelty Society by Tigerman McCurry<\/i><\/p>\n

<\/i>4. Anti-Cruelty Society Animal Shelter by Tigerman McCurry<\/h2>\n

Recommended by Design With Company<\/h3>\n

Design With Co. is also fond of one of the most iconic postmodern buildings designed by longtime Chicago architects Stanley Tigerman and Margaret McCurry \u2014 whose fanciful character Newmeyer and Hicks channel in their own contemporary work.<\/p>\n

The architects are not only fans of the Anti-Cruelty Society shelter\u2019s design. They are also patrons.<\/p>\n

\u201cI remember learning about this building as an undergrad, and when we first moved to Chicago, I was delighted to find that it was only a block away from my employer\u2019s office,\u201d said Hicks. \u201cOn a visit to the building, I couldn\u2019t resist taking home a kitten that we named Lola. Now, it is 15 years later and we have a second that we adopted from the same place.\u201d<\/p>\n

If architecture for Hicks and Newmeyer is about bringing design to life, they truly practice what they preach.<\/p>\n

\u201cThe building’s fa\u00e7ade features signature arcing windows in a vague silhouette of an animal\u2019s face. We are often asked about the relationship between our work and postmodernism, but we really do have a deep connection to at least one of its signature landmarks.\u201d<\/p>\n

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Overton Hygienic Building by Z. Erol Smith; photo courtesy Eric Allix Rogers<\/i><\/p>\n

<\/i>5. Overton Hygienic Building<\/h2>\n

Recommended by Marshall Brown<\/h3>\n

Marshall Brown<\/a> is a Chicago architect and urban designer who envisions future possibilities for urban development across a wide range of media. Known for a series of architectural collages that meld old and new building types, he also represented the United States at the Venice Biennale in 2016 with a plan for housing and education in Detroit. Brown\u2019s drawings, installations and urban design schemes draw on the persistent power of architectural images, applying bold design strokes while paying close attention to the cultural and social history of urban places.<\/p>\n

The most significant Chicago building to him is a landmarked office building in the heart of the Bronzeville \/ Black Metropolis<\/a> historic district, the part of the city where African-American professional and cultural life first boomed before the second world war. It\u2019s also close by the Illinois Institute of Technology, where Brown is part of the faculty.<\/p>\n

\u201cThe space that has inspired my practice more than any other is the Overton Hygienic Building, where I have kept my studio since 2011,\u201d said Brown. \u201cIt\u2019s a Chicago Landmark, built in 1922, and one of the few buildings near IIT to survive the urban renewal period.\u201d<\/p>\n

The building was originally commissioned by Anthony Overton, one of the nation\u2019s first major African-American businessmen, to house a number of businesses including a cosmetics brand, an insurance company and a bank that all catered to black Americans. The building has also spent time as a hotel and a flophouse before reemerging as an incubator for local businesses.<\/p>\n

\u201cThe State Street fa\u00e7ade is classic brick and terra-cotta, but the interior is a raw and very modern concrete structure with mushroom capped columns,\u201d said Brown. \u201cIt\u2019s an amazingly flexible and durable work of architecture that has enabled my practice to thrive.\u201d<\/p>\n

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Chicago Self-Park Garage by Stanley Tigerman<\/i><\/p>\n

<\/i>6. Self-Park Garage by Stanley Tigerman<\/h2>\n

Recommended by Ania Jaworska<\/h3>\n

Ania Jaworska<\/a> is a Chicago-based artist whose work playfully sends up conventions of architectural representation and crosses easily from two to three dimensions<\/a>. From classical orders to postmodern ornamentation, Jaworska\u2019s sculptures and drawings carve out a space in contemporary life for the knowing reinterpretation of historical motifs.<\/p>\n

One of Jaworska\u2019s favorite Chicago buildings is the Self-Park Garage at 60 East Lake Street, another not-quite-flat fa\u00e7ade by Stanley Tigerman, the city\u2019s most famous postmodern stylist.<\/p>\n

\u201cThe garage was built in 1986, and the front elevation is composed of elements that reference the front end of a luxury Rolls-Royce,\u201d said Jaworska. \u201cThe upper part of the fa\u00e7ade is a turquoise metal cladding incorporating the windows that resemble a car\u2019s grille and headlights. The middle looks like a bumper; and the base incorporates two black vinyl canopies that are reminiscent of tire treads. Signage is incorporated in the place of a license plate and wheel rims. The building is topped with a silver colored statue acting as an extravagant hood ornament.\u201d<\/p>\n

Like Jaworska\u2019s own work, the building works both at a glance and on a deeper level. It cleverly references contemporary pop culture while gesturing back to the strict decorative hierarchies that governed ancient Greek temples and Renaissance palaces.<\/p>\n

\u201cI enjoy it for the in-between qualities,\u201d said Jaworska. \u201cThe fa\u00e7ade is humorous, narrative and poppy but also sophisticated and classical. It is a perfect statement of postmodern architecture.\u201d<\/p>\n

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All Saints Episcopal Church; photo courtesy Eric Allix Rogers<\/i><\/p>\n

<\/i>7. All Saints Episcopal Church<\/h2>\n

Recommended by Paul Preissner<\/h3>\n

Paul Preissner<\/a> is a Chicago-area architect with extensive experience renovating residential and commercial buildings around the city\u2019s neighborhoods.<\/p>\n

\u201cI don\u2019t fall so much for the icons of the city,\u201d Preissner said. \u201cA lot of what I typically look to and take interest in is the most boring, invisible and anonymous history of the place.\u201d<\/p>\n

Preissner\u2019s favorite local building is the wood-framed All Saints Episcopal Church<\/a> in Ravenswood completed in 1883. It is one of very few such buildings built after the Great Chicago Fire of 1871, when the city changed its building code. It was restored and repainted in 2016.<\/p>\n

\u201cAll Saints is a fairly large, wood frame-and-shingle building, and as such it seems really quite small and personal in ways that most churches never are,\u201d said Preissner. \u201cThe side elevation has a really wonderful window and reducing roof and siding composition that I love to stare at. It\u2019s very delicate and plain at the same time.\u201d<\/p>\n

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The Monadnock Building, with the Federal Center by Mies van der Rohe rising in the foreground<\/i><\/p>\n

<\/i>8. Jackson Boulevard and South Dearborn Street<\/h2>\n

Recommended by Norman Kelley<\/h3>\n

Norman Kelley<\/a> specializes in drawings, objects and spaces that are not always what they seem. From trompe l\u2019oeil wall drawings to improbably assembled furniture, each Norman Kelley project is a puzzle of different dimensions and styles. Even the name \u201cNorman Kelley\u201d dissembles: It doesn\u2019t refer to one individual, but the professional partnership of multidisciplinary designers Carrie Norman and Thomas Kelley.<\/p>\n

True to form, Norman Kelley looked past single buildings and selected two vantage points where Chicago\u2019s architectural history reveals itself as a study in not-quite contrasts.<\/p>\n

The first is located at the intersection of West Jackson Boulevard and South Dearborn Street, where you can see the northeast corner of Daniel Burnham and John Root\u2019s Monadnock Building and the southeast corner of Mies van der Rohe\u2019s Federal Building. The towers, built 83 years apart, both represent iconic milestones in modern architecture. Together, they tell a story of innovation and evolution in how pioneering builders imagined the city.<\/p>\n

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Left: Perlstein Hall at the Illinois Institute of Technology by Mies van der Rohe; right: McCormick Student Center by OMA; photo courtesy Joe Ravi<\/i><\/p>\n

<\/i>9. South State Street and East 33rd Street<\/h2>\n

Recommended by Norman Kelley<\/h3>\n

The second vantage point is located at the intersection of South State Street and East 33rd Street, where you can see the southwest corner of Rem Koolhaas\u2019 McCormick Tribune Campus Center and the southeast corner of Mies van der Rohe\u2019s Office of Undergraduate Admission.<\/p>\n

\u201cAt both intersections, provided you don\u2019t get hit by a car, you can witness historical dialogues being made across 100 years of construction on what it means to turn a corner,\u201d said Norman and Kelley. \u201cIn one place, it\u2019s a gentle nod; at the other, a middle finger.\u201d<\/p>\n

UrbanLab, Design With Company, Marshall Brown, Ania Jaworska, Paul Preissner and Norman Kelley will all be featured in \u201cMake New History,\u201d the Chicago Architecture Biennial\u2019s main exhibition opening at the Chicago Cultural Center on September 16, 2017. The Biennial will also feature exhibitions at six community anchor sites in neighborhoods across Chicago and programs hosted by over 100 partners. Explore the full range of the event and plan your architectural exploration of Chicago at chicagoarchitecturebiennial.org.<\/p>\n

If you want to explore even more distinctive architecture, don\u2019t miss Open House Chicago 2017<\/a>, a free annual festival that will open up over 200 buildings to the public. Open House Chicago is presented by the Chicago Architecture Foundation<\/a>, the signature education partner of the Chicago Architecture Biennial.<\/p>\n

Explore more of Chicago\u2019s overlooked architecture and add your own suggestions using the Are.na channel below:<\/i><\/p>\n