{"id":19528,"date":"2017-05-16T10:00:00","date_gmt":"2017-05-16T10:00:00","guid":{"rendered":"http:\/\/architizer.wpengine.com\/screen-panel\/"},"modified":"2022-05-31T07:02:34","modified_gmt":"2022-05-31T11:02:34","slug":"screen-panel","status":"publish","type":"post","link":"https:\/\/architizer.com\/blog\/inspiration\/collections\/screen-panel\/","title":{"rendered":"Building Skins: 8 Screen Fa\u00e7ades Rethinking the Envelope"},"content":{"rendered":"

Architizer's <\/i>diverse jury of global experts<\/i><\/span><\/a> is currently reviewing submissions to<\/em> the <\/i>14th A+Awards<\/i><\/span><\/a>! Sign up to <\/i>receive updates<\/i><\/span><\/a> on Public Voting and spring winner announcements.<\/i><\/i><\/p><\/p>\n

Great architecture is more than the sum of its parts. But critical building designs can also transcend commodity through thoughtful detailing, novel programming and precise material assembly. The relationship between building envelope and structure remains one of the most important conditions that a designer constructs. This is where architecture becomes open or closed, controls light, captures views, or mitigates environmental conditions. It is also where culture and program can become intertwined with the fa\u00e7ade to dramatically shape private and public space.<\/p>\n

We\u2019ve drawn together the following collection of screen panel fa\u00e7ades to explore the agency of building envelopes. Grouped around a common component, the projects reveal diverse ways to create perforated, slotted and modular surfaces. Transforming experience, the fa\u00e7ades hold their weight. Arranged around a specific tectonic idea or expression, the panels construct an identity through their relationship to one another. Collectively, the projects show how material assemblies like screens can radically change the perception of space.<\/p>\n

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Lafayette 148 Global Headquarters<\/b><\/a> by Tsz Yan Ng<\/a> and Mehrdad Hadighi<\/a>, Shantou, Guangdong, China<\/p>\n

Located in Shantou, China, the Lafayette Headquarters project is an 11-story building for a New York-based fashion label. Combining space for textile manufacturing with offices and showrooms, the project was made with twisted brise soleil fins formed using concrete with post-tensioning.<\/p>\n

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\u00a9 KieranTimberlake<\/p>\n\t<\/div>\n\n

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\u00a9 KieranTimberlake<\/p>\n\t<\/div>\n\n

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\u00a9 KieranTimberlake<\/p>\n\t<\/div>\n\n

Yale Sculpture Building and School of Art Gallery<\/b><\/a> by KieranTimberlake<\/a>, New Haven, Conn., United States<\/p>\n

Built to invert historic building patterns and invite the city into the site, this arts project rehabilitates an urban brownfield at Yale. The design includes a front fa\u00e7ade that can fold away to create a porch space along street level.<\/p>\n

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Malopolska Garden of Arts<\/a><\/b>by Ingarden & Ewy Architekci<\/a>, Krakow, Poland<\/p>\n

The dynamic screen used in the Malopolska Garden of Arts has two faces. On one hand, it provides an openwork roofing raised over the garden that defines theatric space, and on the other, it introduces a new spatial order to the ruined buildings and old backyards. Housing both the Juliusz S\u0142owacki Theatre and the Malopolska Voivodeship Library, the project establishes a new identity for the arts scene in Krakow.<\/p>\n

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\u00a9 Behnisch Architekten<\/p>\n\t<\/div>\n\n

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\u00a9 Behnisch Architekten<\/p>\n\t<\/div>\n\n

City of Santa Monica Public Parking Structure #6<\/b><\/a> by Behnisch Architekten<\/a>, Santa Monica, Calif., United States<\/p>\n

Located in downtown Santa Monica, this parking structure overlaps programs like retail, public space, storage and areas to relax. Built with a fa\u00e7ade that features an exterior diagonal stair, the envelope was made as a light-enhancing screen formed with perforated metal panels.<\/p>\n

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\u00a9 Brad Feinknopf<\/p>\n\t<\/div>\n\n

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\u00a9 Brad Feinknopf<\/p>\n\t<\/div>\n\n

The Ohio State University East Regional Chilled Water Plant<\/b><\/a> by Leers Weinzapfel Associates<\/a>, Columbus, Ohio, United States<\/p>\n

This chilled water plant at Ohio State University was built as simple rectilinear volumes with contrasting envelopes. An exterior perforated screen rises above a glass volume below, drawing out a play between light, view and enclosure.<\/p>\n

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\u00a9 doublespace photography inc<\/p>\n\t<\/div>\n\n

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\u00a9 doublespace photography inc<\/p>\n\t<\/div>\n\n

Bill & Melinda Gates Hall<\/b><\/a> by Morphosis<\/a>, Ithaca, N.Y., United States<\/p>\n

Morphosis\u2019s design for Gates Hall creates a new campus gateway and frontage near Barton Hall and Hoy Field. Made with a performative steel skin, the hall circulation is organized around a glazed atrium and both informal study and collaborative spaces.<\/p>\n

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\u00a9 PERIPHERIQUES Architectes<\/p>\n\t<\/div>\n\n

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\u00a9 PERIPHERIQUES Architectes<\/p>\n\t<\/div>\n\n

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\u00a9 Luc Boegly Photographe<\/p>\n\t<\/div>\n\n

MEDIA LIBRARY ST PAUL<\/b><\/a> by PERIPHERIQUES Architectes<\/a>, Saint-Paul, Reunion<\/p>\n

As an urban project responding to a need for centrality in the local municipality, this media library was formed to structure the entrance to the city and create a cultural landmark. Inspired by stacked, unequal book pages, the fa\u00e7ade was made with undulating louvre panels along the building periphery.<\/p>\n

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\u00a9 Shawn Liu Studio<\/p>\n\t<\/div>\n\n

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\u00a9 Shawn Liu Studio<\/p>\n\t<\/div>\n\n

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\u00a9 Shawn Liu Studio<\/p>\n\t<\/div>\n\n

Tainan Tung-Men Holiness Church<\/b><\/a> by MAYU architects+<\/a>, Tainan, Taiwan<\/p>\n

Symbolizing an eagle as a biblical metaphor, this church in Taiwan is surrounded by secular residential buildings. Formed with social and community programs in mind, the design includes a perforated aluminum screen fa\u00e7ade floating above the level below.<\/p>\n

Architizer's <\/i>diverse jury of global experts<\/i><\/span><\/a> is currently reviewing submissions to<\/em> the <\/i>14th A+Awards<\/i><\/span><\/a>! Sign up to <\/i>receive updates<\/i><\/span><\/a> on Public Voting and spring winner announcements.<\/i><\/i><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

The relationship between building envelope and structure remains one of the most important conditions that a designer constructs.<\/p>\n","protected":false},"author":31,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"architizer_featured_type":"projects","architizer_featured_image":"2059301","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,3],"tags":[15],"architizer_project":[],"architizer_brand":[],"architizer_firm":[],"architizer_product":[],"class_list":["post-19528","post","type-post","status-publish","format-standard","hentry","category-collections","category-inspiration","tag-collection"],"acf":[],"yoast_head":"\nBuilding Skins: 8 Screen Fa\u00e7ades Rethinking the Envelope - Architizer Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/architizer.com\/blog\/inspiration\/collections\/screen-panel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Building Skins: 8 Screen Fa\u00e7ades Rethinking the Envelope - 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