{"id":18211,"date":"2016-09-21T10:00:00","date_gmt":"2016-09-21T10:00:00","guid":{"rendered":"http:\/\/architizer.wpengine.com\/expressionist-music-spaces\/"},"modified":"2022-07-08T08:48:50","modified_gmt":"2022-07-08T12:48:50","slug":"expressionist-music-spaces","status":"publish","type":"post","link":"https:\/\/architizer.com\/blog\/inspiration\/collections\/expressionist-music-spaces\/","title":{"rendered":"The Contours of Sound: 7 Expressionist Music Spaces Around the World"},"content":{"rendered":"

Architizer's 14th A+Awards<\/i><\/a><\/span> judging is live! Subscribe to our <\/i>Awards Newsletter<\/i><\/span><\/a> for updates on Public Voting and the big winner reveal later this spring.<\/i><\/p><\/p>\n

In Wim Wenders\u2019 Cathedrals of Culture<\/i>, <\/i>the sultry voice of an anthropomorphized Berlin Philharmonic describes her own form. \u201cHans Scharoun designed me based on an underlying idea of three interconnected pentagrams,” she says. “Nobody knows how exactly this idea came about. At any rate, that\u2019s how I became both \u2014 a huge musical instrument myself, and an exceptional spatial structure.”<\/p>\n

Wenders\u2019 literal and visual animation of the 1963 Berlin Philharmonic, a concert hall designed by German architect Hans Scharoun for the West Berlin Kulturforum, suggests something about the nature of the space, and about spaces of music more broadly. When the contents of a building are naturally expressive, it often follows that its physical structure will imbibe the same properties.<\/p>\n

Rhythms and amplitudes evoke impressions of soundwaves and their characteristic curves, an affiliation captured in 1973 by J\u00f8rn Utzon with the Sydney Opera House, and in 2003 by Frank Gehry with the billowing Walt Disney Concert Hall in Los Angeles. The following projects, whether concert halls, conservatories or cultural centers, continue this free association between expressive architecture and music.<\/p>\n

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\u00a9 COR & Asociados<\/p>\n\t<\/div>\n\n

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\u00a9 COR & Asociados<\/p>\n\t<\/div>\n\n

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\u00a9 COR & Asociados<\/p>\n\t<\/div>\n\n

Music Hall and House in Algue\u00f1a<\/a><\/b>by COR & Asociados<\/a>, Algue\u00f1a, Spain<\/p>\n

Though simple in form, this rural music hall uses ceramic cladding to dazzling effect \u2014 depending on the time of day, the iridescent fa\u00e7ade reflects and absorbs the colors of the landscape. The visual “vibration” of the exterior becomes a perceptual counterpart to the aural vibrations occurring within the structure.<\/p>\n

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\u00a9 de Architekten Cie., MAYU architects<\/p>\n\t<\/div>\n\n

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\u00a9 de Architekten Cie., MAYU architects<\/p>\n\t<\/div>\n\n

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\u00a9 de Architekten Cie., MAYU architects<\/p>\n\t<\/div>\n\n

Dadong Arts Center<\/a><\/b>by MAYU architects<\/a> and de Architekten Cie<\/a>, Kaohsiung City, Taiwan<\/p>\n

Perhaps serving as exaggerated synecdoche for the acoustical precision in its concert halls, the Dadong Arts Center is surrounded by massive hanging “membranes” in its interstitial space, a series of dramatic forms that extend the performance of the cultural center to its open areas.<\/p>\n

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\u00a9 Basalt Architectes<\/p>\n\t<\/div>\n\n

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\u00a9 Basalt Architectes<\/p>\n\t<\/div>\n\n

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\u00a9 Basalt Architectes<\/p>\n\t<\/div>\n\n

Music Conservatory<\/a><\/b>by Basalt Architectes<\/a>, Paris, France<\/p>\n

Located in an outer arrondissement of Paris, this shimmering music conservatory stands in dialogue with its disparate neighbors \u2014 19th-century Haussmannian architecture and 20th-century social housing projects. Adding texture to an already rich built environment, the music building is clad in “a skin perforated by the beat of the melody that emerges and takes shape in the outer walls,” casting in relief the scores and hours of music practiced by its students.<\/p>\n

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\u00a9 Archimedia<\/p>\n\t<\/div>\n\n

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\u00a9 Patrick Reynolds<\/p>\n\t<\/div>\n\n

Te Oro<\/b><\/a> by Archimedia<\/a>, Glenn Innes, Auckland, New Zealand<\/p>\n

Named for the sound created by wind blowing across the open crater of the Mount Wellington volcano, Te Oro is a music space devoted to local youth. The structure is differentiated from its location in a suburban parking lot with a design meant to evoke an arboreal canopy, hinting at the natural origins and traditional heritage of music-making in the community. Maori graphics are imprinted into the ground surfaces, and the patterned outer skin reflects a unity amongst various disciplines of performance.<\/p>\n

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\u00a9 Safdie Architects<\/p>\n\t<\/div>\n\n

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\u00a9 Safdie Architects<\/p>\n\t<\/div>\n\n

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\u00a9 Safdie Architects<\/p>\n\t<\/div>\n\n

Kauffman Center for the Performing Arts<\/b><\/a> by Safdie Architects<\/a>, Kansas City, Miss., United States<\/p>\n

Moshe Safdie\u2019s sweeping design for downtown Kansas City has its own daily performance: in the day, the building\u2019s distinct volumes stand as metaphorical music instruments, the glare of daylight reflecting its surroundings. At night, the interior light renders the entire structure see-through, and the volumes of the music halls become clear to the passerby.<\/p>\n

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\u00a9 Markus Pillhofer<\/p>\n\t<\/div>\n\n

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\u00a9 Duccio Malagamba Fotograf\u00eda de Arquitectura<\/p>\n\t<\/div>\n\n

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\u00a9 Markus Pillhofer<\/p>\n\t<\/div>\n\n

House of Music<\/a><\/b>by Coop Himmelb(l)au<\/a>, Aalborg, Denmark<\/p>\n

The differentiated volumes of this Danish concert hall are tied together by a common materiality and a reflective fa\u00e7ade that takes complete advantage of the dreamy Nordic sunlight. Its performance spaces are wrapped by an amorphous structure that provides plentiful balcony viewing points, and its curved design is carried through to the motifs in the auditorium.<\/p>\n

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\u00a9 Ossip van Duivenbode<\/p>\n\t<\/div>\n\n

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\u00a9 Ossip van Duivenbode<\/p>\n\t<\/div>\n\n

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\u00a9 Ossip van Duivenbode<\/p>\n\t<\/div>\n\n

Ragnarok<\/a><\/b>by MVRDV<\/a> and COBE<\/a>, Roskilde, Denmark<\/p>\n

Ragnarok is a museum of pop, rock and youth culture sited in the same location as the famed Roskilde festival in Denmark. Its golden anodized aluminum studded fa\u00e7ade pays homage to the unapologetic glam of glam rock, purposefully in contrast to its unkempt urban setting. The velvet red interior, meanwhile, is meant to embody the soft velvet lining of a guitar case.<\/p>\n

Architizer's 14th A+Awards<\/i><\/a><\/span> judging is live! Subscribe to our <\/i>Awards Newsletter<\/i><\/span><\/a> for updates on Public Voting and the big winner reveal later this spring.<\/i><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Rhythms and amplitudes evoke impressions of soundwaves and their characteristic curves.<\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"architizer_featured_type":"projects","architizer_featured_image":"1760983","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,3],"tags":[15],"architizer_project":[],"architizer_brand":[],"architizer_firm":[],"architizer_product":[],"class_list":["post-18211","post","type-post","status-publish","format-standard","hentry","category-collections","category-inspiration","tag-collection"],"acf":[],"yoast_head":"\nThe Contours of Sound: 7 Expressionist Music Spaces Around the World - Architizer Journal<\/title>\n<meta name=\"description\" content=\"Rhythms and amplitudes evoke impressions of soundwaves and their characteristic curves.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/architizer.com\/blog\/inspiration\/collections\/expressionist-music-spaces\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Contours of Sound: 7 Expressionist Music Spaces Around the World - 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