{"id":148506,"date":"2022-08-03T17:00:00","date_gmt":"2022-08-03T21:00:00","guid":{"rendered":"https:\/\/architizer.com\/blog\/?p=148506"},"modified":"2022-11-12T07:56:01","modified_gmt":"2022-11-12T12:56:01","slug":"kirkwood-performing-arts-center","status":"publish","type":"post","link":"https:\/\/architizer.com\/blog\/practice\/details\/kirkwood-performing-arts-center\/","title":{"rendered":"Jacobs Creates Dramatic Intrigue through Spatial Overlapping and Use of Light at Kirkwood Performing Arts Center"},"content":{"rendered":"
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Project Status: Built<\/div>\n<\/div>\n
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Year: 2020<\/div>\n<\/div>\n
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Size: 25,000 sqft – 100,000 sqft<\/div>\n<\/div>\n
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Budget: 10M – 50M<\/div>\n<\/div>\n<\/div>\n

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Kirkwood Performing Arts Center <\/strong>\u2013 The experience starts at the street and was conceptualized through a series of sequential vignettes considering how the promenade engages the public in the act of performance by providing formal and informal opportunities for interaction in the public realm: events, musicians, discussions, play, or simply to \u2018See and Be Seen\u2019. The lobby is the organizing element and serves as both frame and veil, creating connections and dramatic intrigue through spatial overlapping, blending of exterior to interior, variation of opacity, and use of light. The design solution amalgamates historical context, anticipation of future context, and the client\u2019s desire to create an icon for the community.<\/p>\n

Architizer chatted with Anselmo Testa, AIA, NCARB, LEED AP, National Design Principal | Division Vice-President at Jacobs<\/a>, to learn more about this project.<\/p>\n

Architizer: What inspired the initial concept for your design?<\/strong><\/p>\n

Anselmo Testa: The concept was built around the idea that the \u2018Show starts on the Sidewalk\u2019 and the importance of exterior space and approach \u2013 tying the venue into the city fabric. The parti diagrams revolved around the duality of the experience: light lobby\/dark performance space, See\/Be Seen, reality\/fantasy, tension\/release \u2013 translated as clear\/opaque, heavy\/light, smooth\/textured\u2026 a balance of opposites. As this facility is part of the public park system, it was important to make the lobby welcoming to the public. Therefore, we were inspired to make the lobby at the ground level as transparent as reasonably possibly. The concept worked around a two-sided (east & west) entry sequence. A practical function of circulation, however this solution balances the need for onsite accessible parking with the aspirations of a more walkable and connected community that drives economic and social wellness.<\/p>\n

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\u00a9 Douglis Beck \/ Documodern<\/p>\n\t<\/div>\n\n

What do you believe is the most unique or ‘standout’ component of the project?<\/strong><\/p>\n

Its presence.
\nThe client wanted an Icon to anchor a developing arts and entertainment district as well as the community. We believe the project is very successful in doing that in the way the building is sited, its visibility, its unabashedly contemporary attitude, and most importantly, through the impact of the lobby. Sited near an important intersection with a large expanse of transparent glass, it serves as a hybrid public space that allows the venue to spill onto the exterior plazas. The building is visible from a distance with the glowing lantern effect provided by the translucent glazing at the balcony level.<\/p>\n

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\u00a9 Douglis Beck \/ Documodern<\/p>\n\t<\/div>\n\n

What was the greatest design challenge you faced during the project, and how did you navigate it?<\/strong><\/p>\n

Precast concrete, as suggested by the contractor, offered fast installation and provides great acoustic isolation necessary for a performance space, However, it faced challenges of scale, aesthetics, and transportation, which were addressed as follows:
\nScale & Aesthetics<\/span>: Inspired by use of limestone in many of the community\u2019s civic and religious facilities, the precast utilized integral color, abrasive blast surface texture, and wide reveals to reference the appearance of limestone, but with a contemporary attitude.
\nTransportation<\/span>: The fly loft required very tall panels, testing the limits of the state Department of Transportation\u2019s regulations governing maximum weight. This led the team to work a delicate balance of length, height, and width of the precast panels to maximize the allowable weight. At 77\u2019 tall the precast panels are among the tallest erected in North America.<\/p>\n

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\u00a9 Douglis Beck \/ Documodern<\/p>\n\t<\/div>\n\n

How did the context of your project \u2014 environmental, social or cultural \u2014 influence your design?<\/strong><\/p>\n

The opportunity to develop a Parks & Recreation Department project allowed the team to study different aspects of how a building can affect the community context and communicate the goals of a community that values its green space. In this case, a purposeful attitude towards encouraging and enhancing a walkable community. The team studied walking distances from parking, dining and retail venues, as well as relationships to future development to confirm the site and work to lace the theatre into a system of public, green spaces. To that end, the team placed great emphasis on the creation of various exterior spaces, including a tiered Entry Plaza offering many opportunities for the community to inhabit. The team also worked to develop a contemporary expression rooted on the materiality of local, historic buildings \u2013 studies of color, texture, joinery, and scale informed the final design.<\/p>\n

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\u00a9 Thomas McConnell<\/p>\n\t<\/div>\n\n

What drove the selection of materials used in the project?<\/strong><\/p>\n

The team evolved the design to clad the House in structural precast concrete panels to simultaneously manage the structure, acoustics, costs, and an accelerated schedule. As we better understood the value of working in precast, it became the obvious solution. The translucent glazing at the balcony level plays against the clear glazing of the Lobby allowing the ground level to open up to the exterior for a fully transparent entry experience. Conceptually linked to tree bark and theatre curtains, the metal panel fa\u00e7ade was developed to create a patterned, playful element against the solidity of the precast concrete<\/p>\n

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\u00a9 Thomas McConnell<\/p>\n\t<\/div>\n\n

What is your favorite detail in the project and why?<\/strong><\/p>\n

Personally, I think the translucent glass at the balcony level is marvelous and a simple move\u2026 It limits undesirable views, while focusing the guests into the spectacle of the theatre-goers arrival \u2013 truly a \u2018see and be seen\u2019 public moment. But perhaps most importantly, it serves as beacon for the downtown when the Lobby lights are on, or it captures the setting sun.<\/p>\n

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\u00a9 Kyle Nottmeier<\/p>\n\t<\/div>\n\n

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How important was sustainability as a design criteria as you worked on this project?<\/strong><\/p>\n

Sustainability is integral to everything we design \u2013 in fact it\u2019s a core value. Our philosophy on sustainability for this project was really about balancing resources for the long-term success. The design weighs the values \/ resources of first cost, life cycle cost, and everyday functional performance. All of those factors must come together for project to be successful and sustainable.
\nOne key decision<\/span>: The concept minimizes the amount of built structures and impervious surface by leveraging nearby parking structures and surface lots to reduce cost, consumption, carbon footprint, and storm water runoff. As such, the venue only accommodates 100 cars onsite.<\/p>\n

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\u00a9 Thomas McConnell<\/p>\n\t<\/div>\n\n

In what ways did you collaborate with others, and how did that add value to the project?<\/strong><\/p>\n

In the design of highly technical space such as this it quickly became clear that architects must depend on the expertise of others. To that end, we assembled the best consultants, notable not only for their subject-matter expertise but also for their collaborative spirit. Operating as facilitators in a series of client-inclusive charrettes to develop the program, technical requirements, and ultimately, the translation into a robust concept and vision for the project, we validated the importance of respecting expertise while challenging opinions of all team members (designers, consultants, engineers, contractors, product \/ materials reps., client, community, etc\u2026.) towards the best solution. The alignment of the collective was instrumental in ensuring that the project would be realized as conceived.<\/p>\n

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\u00a9 Thomas McConnell<\/p>\n\t<\/div>\n\n

Were any parts of the project dramatically altered from conception to construction, and if so, why?<\/strong><\/p>\n

We constantly evaluate options and value to make the best decisions. Some examples:<\/p>\n