{"version":"1.0","provider_name":"Journal","provider_url":"https:\/\/architizer.com\/blog","author_name":"Paul Keskeys","author_url":"https:\/\/architizer.com\/blog\/author\/paul-keskeys\/","title":"New Brutalism: Christ and Gantenbein Carve Out a Concrete Edifice for the Swiss National Museum - Architizer Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IneDVDEFVx\"><a href=\"https:\/\/architizer.com\/blog\/inspiration\/stories\/christ-and-gantenbein-swiss-national-museum\/\">New Brutalism: Christ and Gantenbein Carve Out a Concrete Edifice for the Swiss National Museum<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/architizer.com\/blog\/inspiration\/stories\/christ-and-gantenbein-swiss-national-museum\/embed\/#?secret=IneDVDEFVx\" width=\"600\" height=\"338\" title=\"&#8220;New Brutalism: Christ and Gantenbein Carve Out a Concrete Edifice for the Swiss National Museum&#8221; &#8212; Journal\" data-secret=\"IneDVDEFVx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blog.architizer.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"While the audacious concrete forms of the Brutalist movement have long divided opinion among the public, their uncompromising qualities are often adored by architects. Occasionally, though, this polarizing genre is graced with a fresh iteration that unites both the public and the profession, and a new extension to the Swiss National Museum in Zurich hopes&hellip;"}