Spatial design around Nogi Jinja reception space. We designed the area around the counter,fixtures and signs according to the space planned by Hiroshi Oe, a famous Japanese architect. When we heard that materials have an impact on behavior, we felt the importance of using”real” materials.The reception space is semi-outdoor and is an environment that many people can touch.Therefore, the material was selected in consideration of robustness and cleanability.We considered using vegetable flooring, which could be called a “new real”, rather thanstone or solid wood.

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This flooring is an abstract pattern that resembles a Japanese suminagashi,expressing inspiration from the natural landscape. By installing this material, which is originallyused only for the floor, in various places, we created a sense of unity as a whole.In addition, it was important that the space was highly variable depending on the season andthe event, so by combining it with a ready-made work table with casters, we realized functionalfurniture while keeping costs down.

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The fixtures for displaying amulets using Japanese oshiki are
categorized so that it is easy to understand the various types of amulets. The sign has a graphicthat makes it easy to understand how to draw fortunes, aiming to be a reception space that canconvey the culture to as many people as possible.
DATE:Nov, 2019; PLACE:Tokyo, Japan; CLIENT:Nogi Jinja; INTERIOR DESIGN:Seiji Oguri (id inc.); GRAPHIC DESIGN:Seiji Oguri (id inc.) Yohei Oki (side inc.); CONSTRUCTION:Hiroshi Iguchi (Esta Build Co., Ltd.); PHOTOGRAPHS:Norihito Yamauchi.

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