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Cité de l’Ocean et du Surf
Cité de l’Ocean et du Surf
Avenue de la Plage, Biarritz, France
Project Featured on May 09, 2014
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Other Projects by Steven Holl Architects
Cité de l’Ocean et du Surf
Avenue de la Plage, Biarritz, France
Project Featured on May 09, 2014
STATUS
Built
YEAR
2011
SIZE
500,000 sqft - 1,000,000 sqft
This new museum project intends to raise
awareness of oceanic issues and to explore educational and scientific aspects
of the surf and sea and their role upon our leisure, science, and ecology. The
project is comprised of a museum building, exhibition areas, and a plaza,
within a larger master plan. The building form derives from the
spatial concept “under the sky”_“under the sea”. This “Place de l’Océan”
with its concave “under the sky” shape, forms the character of the main
exterior space, while the convex structural ceiling forms the “under the sea”
exhibition spaces. The building’s spatial qualities are experienced already at
the entrance where lobby and ramps benefit from a broader, aerial view of the
space when accessing the exhibition areas while passing along the dynamic
curved surface animated by moving image and light.
The precise integration of concept and topography gives the building a unique
profile. Towards the ocean, the site in the west is slightly cupped on the
edges connecting the forms with landscape on axis to the ocean. This extended
natural landscape, a mix of field and local vegetation could host festivals and
daily events, which are integrated with the museum facilities.
The principle of organization of the section is transformed by two “glass
boulders”, which contain the restaurant and the surfers’ kiosk. This
activates the central outdoor plaza and connects analogically to the two great
boulders on the Biarritz beach in the distance.
There are two ways to access the glass boulders: One through the main entry
lobby which connects the street level to the cafeteria and surfer kiosk and the
other independently through the plaza making these main gathering spaces
accessible for all types of visitors. At the intermediate level of the
exhibition space we find the museum store, which has direct access to the entry
lobby and the auditorium connected through a catwalk that cross the main space.
At the highest level of the museum, we find the restaurant and the elevated
outdoor terrace, which are more intimate with open ocean views.
At the southwest corner there is a place dedicated to the surfers’ hangout with
a skate pool at the top and an open porch underneath that connects to the
auditorium and exhibition spaces inside the museum. This covered area provides
a sheltered space for outdoor interaction, meetings and events.
The exterior of the building is a textured white concrete made of aggregates
from the south of France. Materials of the plaza are a progressive variation of
Portuguese cobblestones paving with grass and natural vegetation. A combination
of insulated glass units with clear and acid-etched layers animates the visual dynamics
enhancing interior comfort. The interior of the main space is white plaster
according to the best surfaces for exhibit projections. A wooden floor
softens the exhibition areas and provides for under-floor wiring flexibilities.
awareness of oceanic issues and to explore educational and scientific aspects
of the surf and sea and their role upon our leisure, science, and ecology. The
project is comprised of a museum building, exhibition areas, and a plaza,
within a larger master plan. The building form derives from the
spatial concept “under the sky”_“under the sea”. This “Place de l’Océan”
with its concave “under the sky” shape, forms the character of the main
exterior space, while the convex structural ceiling forms the “under the sea”
exhibition spaces. The building’s spatial qualities are experienced already at
the entrance where lobby and ramps benefit from a broader, aerial view of the
space when accessing the exhibition areas while passing along the dynamic
curved surface animated by moving image and light.
The precise integration of concept and topography gives the building a unique
profile. Towards the ocean, the site in the west is slightly cupped on the
edges connecting the forms with landscape on axis to the ocean. This extended
natural landscape, a mix of field and local vegetation could host festivals and
daily events, which are integrated with the museum facilities.
The principle of organization of the section is transformed by two “glass
boulders”, which contain the restaurant and the surfers’ kiosk. This
activates the central outdoor plaza and connects analogically to the two great
boulders on the Biarritz beach in the distance.
There are two ways to access the glass boulders: One through the main entry
lobby which connects the street level to the cafeteria and surfer kiosk and the
other independently through the plaza making these main gathering spaces
accessible for all types of visitors. At the intermediate level of the
exhibition space we find the museum store, which has direct access to the entry
lobby and the auditorium connected through a catwalk that cross the main space.
At the highest level of the museum, we find the restaurant and the elevated
outdoor terrace, which are more intimate with open ocean views.
At the southwest corner there is a place dedicated to the surfers’ hangout with
a skate pool at the top and an open porch underneath that connects to the
auditorium and exhibition spaces inside the museum. This covered area provides
a sheltered space for outdoor interaction, meetings and events.
The exterior of the building is a textured white concrete made of aggregates
from the south of France. Materials of the plaza are a progressive variation of
Portuguese cobblestones paving with grass and natural vegetation. A combination
of insulated glass units with clear and acid-etched layers animates the visual dynamics
enhancing interior comfort. The interior of the main space is white plaster
according to the best surfaces for exhibit projections. A wooden floor
softens the exhibition areas and provides for under-floor wiring flexibilities.
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